Latest Research: Real-Time Software for Creating Multimodal Data in Music and Interdisciplinary Research Contexts

Demonstration of a multimodal real-time software framework integrating musical structure analysis with behavioral and electrophysiological data.

About Me

I am a music theory master's student whose work investigates how musical structure shapes perception in real time. My academic path began in journalism and early music cognition, leading to international conference presentations and a peer-reviewed publication. Over time, my interests expanded toward computational modeling, culminating in the development of a multimodal research framework that synchronizes harmonic analysis with EEG, audio, and behavioral data streams. This system grew out of both my earlier research in generative approaches to musical structure and my industry experience as a UX/Sound Designer, where I created cognitively optimized auditory alerts. Currently at UMass Amherst, I continue to integrate music theory, signal processing, and human-centered design to examine how harmonic motion, attention, and emotional response interact within dynamic listening environments.

Upcoming Events

Resume

Oğuzhan Tuğral

Mobile: +1 413 490 1935

Education

  • University of Massachusetts, Amherst

    Master of Arts in Music
    Massachusetts, USA
    Sep. 2023 – May 2026
  • Center for Advanced Studies in Music (MIAM)

    Master of Arts in Music
    Istanbul, Turkey
    Sep. 2012 – July 2017
  • Kocaeli University

    Bachelor of Communication / Journalism
    Kocaeli, Turkey
    Sep. 2001 – Jan. 2010

Experiences

  • University of Massachusetts, Department of Music and Dance

    Teaching Assistant – Music Theory I and II
    Amherst, Massachusetts
    September 2023 – May 2025
  • Togg (Automobile Company)

    UX / Sound Designer
    Informatics Valley, Gebze
    Oct 2020 – Nov 2022
  • Independent Researcher

    Istanbul, Turkey
    Sep 2012 – June 2020
  • Musician / Arranger / Guitar Trainer

    İzmit, Turkey
    Sep 2001 – June 2012
    • Performer in Live Music Avenues: In 2000, I began performing solo and with orchestras as an electric, acoustic, and bass guitarist in various cities across the Marmara Region in Turkey.
    • Pop, Rock & Jazz Music Arranger: During that time, I was also recording songs for local singers and bands using various Digital Audio Workstations like Cubase, Nuendo, Reason, and Fruity Loops.
    • Guitar Trainer: Starting in 2004, I taught guitar to private students and conducted classes in art studios in Kocaeli.

Conferences

  • Vancouver, BC, Canada. JW Marriott Parq Vancouver Hotel: Cognitive Neuroscience Society (CNS) Annual Meeting, March 7–10, 2026 (forthcoming), "Dynamic Temporal Alignment of EEG and Music: A Novel Framework for Real-Time Music Cognition Research." Poster presentation scheduled for March 8, 2026.
  • Bologna, Italy. Palazzo dei Congressi: 18th World Congress of Music Therapy, July 8–12, 2026 (forthcoming), "A Multimodal Real-Time Tool for Music Therapy: Investigating Musical Memory and Emotional Engagement in Cognitive Decline."
  • Paris, France. Musee de l'Homme, 17 place du Trocadero, 75116: The Sixth International Conference on Analytical Approaches to World Music, 2020, June 24 – 27. June 2021, postponed due to Covid-19 — "On The Syntax of a Compound Maqam in Turkish Art Music: Yet, Another Look at Cadences in Generative Grammar Studies in Music."
  • St. Petersburg, Russia. Vaganova Ballet Academy, St. Petersburg University: International Conference "Language-Music-Gesture: Informational Crossroads"; April 2021, "On The Syntax of a Compound Maqam in Turkish Art Music: Yet, Another Look at Cadences in Generative Grammar Studies in Music."
  • Istanbul, Turkey. Istanbul Technical University: "International Music and Sciences" Symposium, Istanbul Technical University, April 2019 — "Foucault's Falling Apples from Chomskyan Trees."
  • Indiana, USA. Indiana University Bloomington, Jacobs School of Music, Historical Performance Institute: 2nd Annual International Conference – Historical Performance: Theory, Practice, and Interdisciplinarity, May 2017; "Does Internalism Apply to Medieval Music: Cultural and Universal Aspects of the Prosdoscimus de Beldemandis's Contrapunctus?"
  • Nottingham, UK. University of Nottingham: History, Analysis, Pedagogy: Music Analysis Conference, "A Generative Representation of Mo.311 in Montpellier Codex."
  • New York, USA. City University of New York: 19th Graduate Student Music Conference: Music and Radicalism, Radicalism in Music; "Resurrection of Renaissance Thoughts: An Alternative Analysis in Generative Approaches."
  • Istanbul, Turkey. Istanbul Technical University: 1st Graduate Student Conference in Musicology; "A Linguistic Approach to the Early Music: Representation of the Hexachord Theory by X-Bar Method as an Excavation Tool."
  • Manchester, UK. Royal Northern College of Music - Music Conservatoire: 9th Triennial Conference of the European Society for the Cognitive Science of Music (ESCOM); "A Linguistic Approach to the Early Music: Representation of the Hexachord Theory by X-Bar Method as an Excavation Tool."
  • Keele, UK. Keele University: The Keele Music Analysis Conference (KeeleMAC), July 2015 — "A Linguistic Approach to the Early Music: Representation of the Hexachord Theory by X-Bar Method as an Excavation Tool."
  • St. Petersburg, Russia. Saint Petersburg State University of Aerospace Instrumentation: International Workshop on Music, Language and Computing, April 2015 — "A Linguistic Approach to the Early Music: Representation of the Hexachord Theory by X-Bar Method as an Excavation Tool."

Publications

  • A Linguistic Approach to the Syntax of Early Music: Representation of the Hexachord System by X-Bar Method as an Excavation Tool. In: Eismont, P., Konstantinova, N. (eds) Language, Music, and Computing. LMAC 2015. Communications in Computer and Information Science, vol 561. Springer, Cham.
    https://doi.org/10.1007/978-3-319-27498-0_12

Awards & Grants

  • UMass Amherst Humanities and Fine Arts: Summer Research Award, 2025.
  • Society for Music Theory (SMT), 2017: International Travel Grant for 40th Annual Meeting of the Society.
  • Society for Music Analysis (SMA), 2016: Travel Grant for "History, Analysis, Pedagogy – Music Analysis Conference" of the Society.
  • European Society for the Cognitive Sciences of Music (ESCOM), 2015: Travel Grant for "Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music."

Membership

  • Cognitive Neuroscience Society (CNS)
  • Society for Music Theory (SMT)

Programming Skills

  • Languages: Python, Javascript, Max/MSP.
  • Frameworks / Libraries: Scamp in Python, Houdini, P5.js, Syntax Tree (Online) in JS.
  • Digital Audio Workstations: Cubase, Ableton Live, Nuendo.
  • Music Notation Software: Sibelius.

Certificates

  • Foundations: Data, Data, Everywhere
    Google/Coursera Certificate. Completed: June 6, 2025. Grade Achieved: 88.50%.
    Verify Certificate
  • Ask Questions to Make Data-Driven Decisions
    Google/Coursera Certificate. Completed: June 25, 2025. Grade Achieved: 96.87%.
    Verify Certificate